Short answer
Muslims worship God (﷾) only in the way He taught through His Messenger (ﷺ). He taught the prayer, the call to prayer and the reciting of the Qur'an with the human voice alone. When the first Muslims looked for a way to call people to prayer, some suggested a bell and others a horn. Instead the Prophet (ﷺ) told Bilal to stand and call with his voice. The Qur'an is recited beautifully: the Prophet (ﷺ) told Muslims to beautify it with their voices. But it is not sung to music. The words lead, and the voice serves them. So the prayer sounds the same in every land. Sikhs sing their scripture in kirtan, set to musical measures called ragas. The question is not whether music moves the heart. It is who decides how God (﷾) is worshipped. Islam's answer is: God (﷾) Himself.
The human voice
Words God (﷾) and His Messenger (ﷺ) taught
A beautiful voice
Musical instruments
A tune that bends the words
Full explanation
Kirtan: worship that is sung
Sikhism (Sikhs also say Sikhi) was founded by Guru Nanak (Sikhs say Guru Nanak Dev Ji). Its scripture is the Guru Granth Sahib, which Sikhs honour as their living Guru. Its hymns are arranged by raga, the musical measure each was composed for. Macauliffe, whose English translation of 1909 this site uses, counts thirty-one. Singing them is called kirtan. The Sikh code of conduct, the Sikh Rehat Maryada, defines kirtan as singing the scriptural compositions in traditional musical measures. It also guards the words: only a line of the hymn itself may be used as a refrain. The Encyclopaedia of Sikhism says that Guru Nanak's companion Mardana played the rabab, a stringed instrument, and that harmoniums are in use in most gurdwaras today. Guru Arjan, the fifth Guru, says that in this age kirtan, singing the Lord's praises, is supreme (Ang 1075). So for Sikhs, music is not an ornament added to worship. It is the form the Gurus gave it. Many churches, too, sing hymns to an organ. That is why a visitor to a mosque is often struck to hear nothing but voices.
“The hymns of the Gurus and saints are not arranged in the holy volume according to their authors, but according to the thirty-one rags or musical measures to which they were composed.”
The Sikh Rehat Maryada is the Sikh code of conduct issued by the SGPC. Its article on kirtan, which it glosses as devotional hymn singing by a group or an individual, says that only a Sikh may perform kirtan in a congregation, and that kirtan means singing the scriptural compositions in traditional musical measures. In the congregation, only Gurbani (the hymns of the Guru Granth Sahib or of Guru Gobind Singh) may be sung, with the compositions of Bhai Gurdas and Bhai Nand Lal to explain them. Only a line from the hymn itself may be used as a refrain.
The entry on Gurmat Sangit, the sacred music of the Sikhs, says that Guru Nanak composed his religious verse to settings of Indian ragas, and that the Gurus who followed him considered divine worship through music the best means of reaching communion with God. Guru Nanak kept a musician, Mardana, as his constant companion, who played the rabab (rebeck), a stringed instrument. He wished his hymns to be sung to ragas that express the spirit of the text, in a style that fits the meaning of the hymn. Harmoniums are in use in most gurdwaras today, and the tabla is the most commonly used instrument for rhythm. The entry counts Quranic chant, like the shabad kirtan of the Sikhs, among its examples of religious music.
Guru Arjan says that in this dark age (the Kali Yuga), kirtan, singing the praises of the Lord, is supreme. Earlier on the same page he says that at the Guru's door the Lord's praises are heard.
In its section on the organ in church service, says that in the early centuries the Church objected to instrumental music, and that this objection applied also to the organ, which was linked with the theatre and the circus. It calls doubtful the late report that Pope Vitalian (657-672) brought the organ into church services, and says a strong objection to the organ in church service remained fairly general down to the twelfth century, after which it became the favoured church instrument.
Worship is done as God (﷾) taught it
In Islam, the form of worship is not left to people's taste. God (﷾) set it, and His Messenger (ﷺ) showed it. God (﷾) says to the Prophet (ﷺ): "Then We put thee on the (right) Way of Religion: so follow thou that (Way)" (45:18). He also says: "This day have I perfected your religion for you" (5:3). The Prophet (ﷺ) told those he taught to pray as they had seen him pray (Bukhari 631). He said that whoever brings into this matter of ours something that is not of it, it is rejected (Bukhari 2697). The reason is simple. Worship is how a servant draws near to God (﷾), and only God (﷾) knows what pleases Him. So the form must come from Him, not from what moves us. This page is about acts of worship only. Music and singing in daily life, at weddings and on Eid, is a separate question with its own page.
“Then We put thee on the (right) Way of Religion: so follow thou that (Way), and follow not the desires of those who know not.”
“Forbidden to you (for food) are: dead meat, blood, the flesh of swine, and that on which hath been invoked the name of other than Allah; that which hath been killed by strangling, or by a violent blow, or by a headlong fall, or by being gored to death; that which hath been (partly) eaten by a wild animal; unless ye are able to slaughter it (in due form); that which is sacrificed on stone (altars); (forbidden) also is the division (of meat) by raffling with arrows: that is impiety. This day have those who reject faith given up all hope of your religion: yet fear them not but fear Me. This day have I perfected your religion for you, completed My favour upon you, and have chosen for you Islam as your religion. But if any is forced by hunger, with no inclination to transgression, Allah is indeed Oft-forgiving, Most Merciful.”
Malik ibn al-Huwayrith reports that he and other young men stayed with the Prophet (ﷺ) for twenty days. When he sent them home to teach their families, he told them: pray as you have seen me praying.
Aisha reports that the Messenger of Allah (ﷺ) said: whoever introduces into this matter of ours something that is not of it, it is rejected.
The call to prayer: a voice, not a bell
When the Muslims first came to Medina, they had no call to prayer. They gathered at a time they had to guess. They talked over what to do. Some suggested a bell, like the bell of the Christians. Others suggested a horn, like the horn of the Jews. Umar asked why they did not appoint a man to call the people. The Prophet (ﷺ) told Bilal to stand and call them to prayer (Bukhari 604; Muslim 377). Abu Dawud's report tells how the words came. A bell had been ordered to be made. Then a Companion, Abdullah ibn Zayd, saw a man in a dream who was carrying a bell. He asked to buy it for the call to prayer. The man offered him something better, and taught him the words of the adhan. The Prophet (ﷺ) said it was a true vision. He had the words taught to Bilal, who had the louder voice (Abu Dawud 499). So the bell and the horn were considered, and the voice took their place. That matters for two reasons. The voice was not chosen for want of instruments. And the words were not left to taste: they came in a vision that the Prophet (ﷺ) confirmed as true. Those words are called five times a day, in every country.
Ibn Umar reports that when the Muslims in Medina discussed how to call people to prayer, the Prophet (ﷺ) told Bilal to stand and give the call.
Ibn Umar reports that when the Muslims came to Medina they gathered for prayer at a time they had to guess, since no one called them. They discussed the matter. Some said they should take a bell like the bell of the Christians; others said a horn like the horn of the Jews. Umar asked why they did not appoint a man to call the people to prayer. The Messenger of Allah (ﷺ) said: Bilal, stand and call the people to prayer.
Abdullah ibn Zayd reports that the Messenger of Allah (ﷺ) had ordered a bell to be made, to be struck to gather the people for prayer. Then in a dream he saw a man carrying a bell, and asked to buy it to call the people to prayer. The man offered to show him something better than that, and taught him the words of the adhan. In the morning he told the Messenger of Allah (ﷺ), who said it was a true vision, and told him to teach the words to Bilal, who had the louder voice. Bilal then called them.
Abdullah ibn Zayd reports that, when the Messenger of Allah (ﷺ) was planning how to call the people to prayer, a man in a dream taught him the words of the adhan. He told the Prophet (ﷺ), who said it was a true vision and told him to teach it to Bilal, who has the louder voice. Umar then said he had seen the same. The adhan taught has the two testimonies, to Allah and to Muhammad (ﷺ), and no other.
| The report | What it tells |
|---|---|
| Sahih al-Bukhari 604 and Sahih Muslim 377 | Some suggest a bell and others a horn. Umar asks why a man should not call the people. The Prophet (ﷺ) tells Bilal to stand and call them to prayer. |
| Sunan Abi Dawud 499 | A bell is ordered to be made. A Companion is taught the words of the adhan in a dream, as something better. The Prophet (ﷺ) says it is a true vision, and Bilal calls the words. |
The prayer: words and movements, nothing added
The daily prayer, the salah, is standing, bowing, putting the face to the ground and sitting, with words of praise and verses of the Qur'an. God (﷾) says: "establish regular prayer for celebrating My praise" (20:14). He tells the Prophet (ﷺ): "Neither speak thy Prayer aloud, nor speak it in a low tone, but seek a middle course between" (17:110). Every word in the prayer has a meaning. The Qur'an tells believers not to come to prayer until they can understand all that they say (4:43). Nothing is played, and nothing is sung for its own sake. So the prayer is the same whether a person prays alone in a field or with thousands in Mecca. Anyone can learn it, and no musician is needed to lead it.
“Verily, I am Allah: There is no god but I: So serve thou Me (only), and establish regular prayer for celebrating My praise.”
“Say: "Call upon Allah, or call upon Rahman: by whatever name ye call upon Him, (it is well): for to Him belong the Most Beautiful Names. Neither speak thy Prayer aloud, nor speak it in a low tone, but seek a middle course between."”
“O ye who believe! Approach not prayers with a mind befogged, until ye can understand all that ye say,- nor in a state of ceremonial impurity (Except when travelling on the road), until after washing your whole body. If ye are ill, or on a journey, or one of you cometh from offices of nature, or ye have been in contact with women, and ye find no water, then take for yourselves clean sand or earth, and rub therewith your faces and hands. For Allah doth blot out sins and forgive again and again.”
“Recite what is sent of the Book by inspiration to thee, and establish regular Prayer: for Prayer restrains from shameful and unjust deeds; and remembrance of Allah is the greatest (thing in life) without doubt. And Allah knows the (deeds) that ye do.”
Malik ibn al-Huwayrith reports that he and other young men stayed with the Prophet (ﷺ) for twenty days. When he sent them home to teach their families, he told them: pray as you have seen me praying.
The Qur'an is recited beautifully
Islam does not ask for a flat or careless voice. God (﷾) tells the Prophet (ﷺ) to "recite the Qur'an in slow, measured rhythmic tones" (73:4). The Prophet (ﷺ) said: beautify the Qur'an with your voices (Abu Dawud 1468). He praised the Companion Abu Musa for his sweet voice in reciting, likening it to the voice of David's family (Bukhari 5048). The Qur'an describes what its recitation does to those who fear their Lord: "the skins of those who fear their Lord tremble thereat; then their skins and their hearts do soften" (39:23). An-Nawawi, the 13th-century commentator on Sahih Muslim, records the words of Qadi Iyad: the scholars agree that it is recommended to beautify the voice in recitation, and to recite slowly and clearly. Egypt's Dar al-Ifta gives the same answer today. So Islam is not against beauty in worship. The beauty is in the words and the voice that carries them.
“O thou folded in garments! Stand (to prayer) by night, but not all night,- Half of it,- or a little less, Or a little more; and recite the Qur'an in slow, measured rhythmic tones. Soon shall We send down to thee a weighty Message.”
Al-Bara' ibn Azib reports that the Prophet (ﷺ) said: beautify the Qur'an with your voices.
Abu Musa reports that the Prophet (ﷺ) said to him: O Abu Musa, you have been given one of the sweet voices (mazamir) of the family of David. The book places it among the reports on reciting the Qur'an beautifully.
“Allah has revealed (from time to time) the most beautiful Message in the form of a Book, consistent with itself, (yet) repeating (its teaching in various aspects): the skins of those who fear their Lord tremble thereat; then their skins and their hearts do soften to the celebration of Allah's praises. Such is the guidance of Allah: He guides therewith whom He pleases, but such as Allah leaves to stray, can have none to guide.”
Al-Nawawi records the words of Qadi Iyad: the scholars agree that it is recommended to beautify the voice in recitation and to recite slowly and clearly (tartil). They differed over reciting to melodies (alhan). Malik and the majority disliked it, because it departs from the humility and understanding that the Qur'an came for. Abu Hanifa and a group of the early Muslims allowed it, because of the hadiths, and because it softens the heart and draws people to listen. Al-Nawawi adds that ash-Shafi'i disliked it in one place and did not in another: he disliked it where the reciter stretches the words out of place by adding or cutting, and allowed it where the wording is not changed.
Beautifying the voice in reciting the Qur'an is recommended, and the scholars' word has settled on it. The fatwa cites the Prophet's (ﷺ) words to beautify the Qur'an with the voice, and his choice of Bilal for the call to prayer for his finer voice. It quotes Qadi Iyad, through an-Nawawi's commentary on Sahih Muslim (6/80): the scholars agree that it is recommended to beautify the voice in recitation and to recite it slowly and clearly (tartil). It quotes Ibn Hajar, Fath al-Bari (9/72): beautifying includes keeping to the rules of melody, so long as it does not go beyond the conditions of correct recitation recognised by the scholars of the readings; if it does, a beautiful voice does not make up for the poor recitation.
The words lead, not the tune
In a song, the melody usually sets the shape, and the words are fitted to it. Reciting the Qur'an works the other way round. The rules of recitation, called tajwid, fix how each letter is sounded and how long each vowel is held. The scholars agreed on a beautiful voice, but they differed over set melodies. An-Nawawi records that Malik and most scholars disliked reciting to melodies, because it draws away from the humility and understanding the Qur'an came for. Abu Hanifa and some of the early Muslims allowed it, because it softens the heart. On one point an-Nawawi reports that all agreed. If a reciter stretches his voice until a letter is added or hidden, it is forbidden. Ibn Hajar, the 15th-century commentator on Sahih al-Bukhari, sums it up. A beautiful voice is sought, and keeping to the rules of melody may add to it. But if the melody breaks the conditions of correct recitation, a beautiful voice does not make up for it. This matters because the Qur'an is God's (﷾) word. Even where melody is allowed, it may not change one letter of that word. The voice serves the words, and the words serve God (﷾).
Al-Nawawi records the words of Qadi Iyad: the scholars agree that it is recommended to beautify the voice in recitation and to recite slowly and clearly (tartil). They differed over reciting to melodies (alhan). Malik and the majority disliked it, because it departs from the humility and understanding that the Qur'an came for. Abu Hanifa and a group of the early Muslims allowed it, because of the hadiths, and because it softens the heart and draws people to listen. Al-Nawawi adds that ash-Shafi'i disliked it in one place and did not in another: he disliked it where the reciter stretches the words out of place by adding or cutting, and allowed it where the wording is not changed.
Ibn Hajar says there was no dispute about beautifying the voice in reciting the Qur'an, but the early Muslims differed over reciting it to melodies (alhan). Forbidding it is reported from Malik; dislike of it from Maliki, Shafi'i, Hanafi and Hanbali scholars; and permission from a group of the Companions and Successors, from ash-Shafi'i and, through at-Tahawi, from the Hanafis. That difference applies only when no letter is moved from its place. He quotes an-Nawawi's at-Tibyan: the scholars agree that beautifying the voice with the Qur'an is recommended so long as it does not go beyond the limit of recitation by stretching, and if it goes so far that a letter is added or hidden, it is forbidden. Ibn Hajar concludes that a beautiful voice with the Qur'an is sought. Beautifying it includes keeping to the rules of melody, so long as that does not break the conditions of correct delivery recognised by the scholars of the readings; if it does, a beautiful voice does not make up for the poor delivery. He adds that whoever keeps to both is to be preferred.
“O thou folded in garments! Stand (to prayer) by night, but not all night,- Half of it,- or a little less, Or a little more; and recite the Qur'an in slow, measured rhythmic tones. Soon shall We send down to thee a weighty Message.”
| In reciting the Qur'an | What the scholars said |
|---|---|
| A beautiful voice | Recommended. The scholars agree. |
| A set melody that leaves every letter in place | They differed. Malik and most scholars disliked it. Abu Hanifa and some of the early Muslims allowed it. |
| A melody that adds or hides a letter | Forbidden. An-Nawawi reports that all agreed. |
Why it matters: worship God (﷾) set does not drift
Worship that people shape changes with the people. Styles, tunes and instruments come and go with each age and land. Christian worship shows this. The Catholic Encyclopedia of 1911 says the early Church objected to instruments in worship, and that strong objection to the organ in church services lasted until about the twelfth century. Later the organ became the church's favoured instrument. Some Muslims have added music to devotions of their own, such as qawwali, sung at shrines to the harmonium and the tabla. But the worship God (﷾) set has no such history. The prayer and the adhan were never changed, so anyone can measure such additions against them. The adhan Bilal called in Medina is the adhan called today. The prayer the Prophet (ﷺ) taught is prayed in Jakarta, Lagos and London with the same words and movements. The schools of Islamic law differ only in small details of the prayer and the adhan, and every school takes its practice from the Prophet (ﷺ). So a Muslim never has to ask whether today's worship is what God (﷾) asked for. It is the worship His Messenger (ﷺ) taught.
In its section on the organ in church service, says that in the early centuries the Church objected to instrumental music, and that this objection applied also to the organ, which was linked with the theatre and the circus. It calls doubtful the late report that Pope Vitalian (657-672) brought the organ into church services, and says a strong objection to the organ in church service remained fairly general down to the twelfth century, after which it became the favoured church instrument.
Qawwali is a form of devotional song from South Asia, sung above all at Sufi shrines and gatherings. A qawwali party sings to the harmonium, the tabla and the dholak drum, with hand-clapping.
Abdullah ibn Zayd reports that, when the Messenger of Allah (ﷺ) was planning how to call the people to prayer, a man in a dream taught him the words of the adhan. He told the Prophet (ﷺ), who said it was a true vision and told him to teach it to Bilal, who has the louder voice. Umar then said he had seen the same. The adhan taught has the two testimonies, to Allah and to Muhammad (ﷺ), and no other.
Abdullah ibn Zayd reports that the Messenger of Allah (ﷺ) had ordered a bell to be made, to be struck to gather the people for prayer. Then in a dream he saw a man carrying a bell, and asked to buy it to call the people to prayer. The man offered to show him something better than that, and taught him the words of the adhan. In the morning he told the Messenger of Allah (ﷺ), who said it was a true vision, and told him to teach the words to Bilal, who had the louder voice. Bilal then called them.
Malik ibn al-Huwayrith reports that he and other young men stayed with the Prophet (ﷺ) for twenty days. When he sent them home to teach their families, he told them: pray as you have seen me praying.
“Ye have indeed in the Messenger of Allah a beautiful pattern (of conduct) for any one whose hope is in Allah and the Final Day, and who engages much in the Praise of Allah.”
| The test | Worship people shape | Worship God (﷾) set |
|---|---|---|
| Changes with each age and land | ||
| Is still what was first taught |
- Yes
- No
Remembering God (﷾) without music
Islam does not leave a gap where kirtan would be. In place of singing, it gives remembrance, dhikr: words of praise said with the tongue and held in the heart, at any hour. The Qur'an says: "for without doubt in the remembrance of Allah do hearts find satisfaction" (13:28). The prayer itself is for remembering Him (20:14). The page on whether Naam simran is like dhikr compares the two practices. So the love of God (﷾) that draws a Sikh to kirtan has a place in Islam. It is given words that God (﷾) and His Messenger (ﷺ) taught.
“"Those who believe, and whose hearts find satisfaction in the remembrance of Allah: for without doubt in the remembrance of Allah do hearts find satisfaction.”
“Verily, I am Allah: There is no god but I: So serve thou Me (only), and establish regular prayer for celebrating My praise.”
Islam's answer
Many Sikhs find kirtan deeply moving, and that love of God (﷾) deserves respect. But the question is not whether music moves the heart. It is who decides how God (﷾) is worshipped. If the Qur'an is God's (﷾) word, then the worship it sets, shown by His last Messenger (ﷺ), is the worship He asked for. The Qur'an invites every reader to test that claim (2:23; 4:82). The Prophet (ﷺ) was sent to all people (7:158). So listen to the adhan, or to the Qur'an recited by a good reciter, and then read what it says. If it is God's (﷾) word, it has already told you how He wishes to be worshipped.
“And if ye are in doubt as to what We have revealed from time to time to Our servant, then produce a Sura like thereunto; and call your witnesses or helpers (If there are any) besides Allah, if your (doubts) are true.”
“Do they not consider the Qur'an (with care)? Had it been from other Than Allah, they would surely have found therein Much discrepancy.”
“Say: "O men! I am sent unto you all, as the Messenger of Allah, to Whom belongeth the dominion of the heavens and the earth: there is no god but He: it is He That giveth both life and death. So believe in Allah and His Messenger, the Unlettered Prophet, who believeth in Allah and His words: follow him that (so) ye may be guided."”
Perspectives
Sikh
Kirtan, singing the Gurus' hymns in their ragas, is the worship the Gurus gave. Guru Arjan says it is supreme in this age. The raga serves the hymn, and music lifts the heart to God.
Guru Arjan says that in this age, singing the Lord's praises (kirtan) is supreme, and the Sikh code of conduct sets out how it is done.
Rebuttal
That rests on whether the Gurus spoke for God (﷾), which is the real question between Sikhs and Muslims. The page on whether God (﷾) spoke through the Sikh Gurus weighs it. The Qur'an sets its own test, open to anyone (2:23; 4:82).
The Gurus held worship through music to be the best way to communion with God, and music moves the heart. Why turn away from something so good?
Rebuttal
The Qur'an moves the heart without music: at its recitation skins tremble and hearts soften (39:23). And a feeling cannot settle what pleases God (﷾). Only He can say that, and He set the way of worship through revelation, telling His Prophet (ﷺ) to follow it (45:18).
In kirtan the words lead too. Guru Nanak wished his hymns sung to ragas that fit their meaning, and only a line of the hymn itself may be its refrain.
Rebuttal
That care for the words is real, and Islam shares it. So the two faiths do not differ over care for the words. They differ over where the form of worship comes from. In Islam it came with the revelation, through the Prophet (ﷺ), and it has no instrument in it (Bukhari 604; 631; Abu Dawud 499).
Muslims make melody too. The Encyclopaedia of Sikhism counts Quranic chant, beside Sikh kirtan, as religious music.
Rebuttal
The Qur'an is recited in a beautiful voice, and Islam asks for that. But no instrument is played, and the words are fixed. An-Nawawi reports the scholars' agreement that a melody which adds or hides a single letter is forbidden (quoted by Ibn Hajar). So the tune must bend to the words, never the words to the tune.
Christian
Many Christians say the Psalms call for praising God with instruments, so music is a fitting part of worship.
The Psalms call for praising God with trumpets, harps, stringed instruments and cymbals.
Rebuttal
Islam honours David's praise of God (﷾): the Prophet (ﷺ) likened a Companion's fine recitation to the voice of David's family (Bukhari 5048). But Muslims take their worship from the last Messenger (ﷺ), who told them to pray as they had seen him pray (Bukhari 631). And for centuries the churches did not treat this psalm as a rule for their own worship. The page on whether Jesus prayed with music gives that history.
The Islamic perspective
God (﷾) is worshipped only as He taught through His Messenger (ﷺ). The prayer, the adhan and the recitation were taught with the voice alone. The Qur'an is recited beautifully, but the words lead and the tune serves them. So the worship God (﷾) set stays the same everywhere.
God (﷾) set the way of religion for His Prophet (ﷺ) to follow, and the Prophet (ﷺ) said that anything brought into the religion that is not of it is rejected.
When a bell and a horn were suggested for calling people to prayer, the Prophet (ﷺ) had a man call. The words of the adhan came in a vision that he confirmed as true.
The Prophet (ﷺ) told Muslims to beautify the Qur'an with their voices, and the scholars agree this is recommended.
The scholars differed over reciting to set melodies, but agreed that a melody which adds or hides a letter of the Qur'an is forbidden.
The adhan and the prayer are the same today as when the Prophet (ﷺ) taught them.